Every scientific and technical development device aimed at automating or replacing human tasks acts as a memorial to the latter or its predecessor.
A new device, rudimentary in its operation, is responsible for performing infinitely the work of separating the useful from the waste.
In the context of energy economics, we speak of a rebound effect when the introduction of a technology that is efficient in performing a given task fails, due to lateral and indirect causes, to provide energy benefits, effectively increasing overall consumption.
This phenomenon occurs continuously in social terms whenever a technology imposes itself as a replacement for a previously performed and less remunerated human activity.
Artificial intelligence, the highest of the outsourcing pyramids ever conceived by man, so high as to be one step away from self-conceived. The fruit of a chain held together by so many links of outsourcing that it cannot understand the origin of itself.
What we only partially know is that the extraction of the resources necessary for the production of processors and computing tools takes place in Africa under working conditions equivalent to modern slavery. One of the countries most attacked by this veritable phenomenon of contemporary colonialism is the Congo. The availability of these minerals is so vital to large technology companies that these commodities can be called ‘conflict diamonds’.
It is in this way that progress - through the continual replacement of machine by machine, endless outsourcing to places where labour has no value, and automation aimed at wiping out the profession in the name of profit - is increasingly configured as a sieve to socially determine who is useful and who is waste.
It is a sculptural and sound installation. A rudimentary sieve performs its discriminatory function autonomously, through a perforated water bottle it separates earth from minerals. It is unstable and precarious, flexing and contracting slightly on itself but never falling, continuing until the end the task for which it was designed. It plays music generated by Artificial Intelligence that reminds us of the other function of the device: that of memorial, totem and simulacrum of who or what before it had performed that work.
Work by Karim El Shafei, Fabio Caporizzi, Maditha De Paoli and Federico Torretti.